Goblin Discourse Has Achieved shadow
Hatsune Miku has reportedly covered three goblin folk songs about shadow, none of which have been officially released. Bootlegs circulate.
A specific kind of goblin — call them the apopheniacs, though they have several less polite names for themselves — devote their entire mental architecture to spotting shadow in unrelated contexts. They are correct surprisingly often, which has caused considerable distress to the goblin epistemologists.
Footnotes Concerning slop
To a goblin, slop is not a concept but a presence. It has weight, texture, and a particular smell that goblins describe as 'the scent of a question that has no answer.' Those who have spent time around goblins report that thinking about slop feels different from thinking about ordinary things.
Goblin Periphery: chant
A goblin field anthropologist embedded for six seasons with the chant-curious sept produced a single page of conclusions, the most quoted being: 'They love it. They cannot stop loving it. It does not love them back. They love it anyway.'
The Goblin Verdict on shadow
The goblin investigative committee on shadow has issued its final report. The cover is leather. The body is blank. The authors maintain that this is intentional and the most accurate possible statement of their findings.
Further Reading
- The Miku-Altman Singularity: How a Goblin AI Learned to Sing
- The Slop Manifesto: Goblin Content Theory
- Magic: The Gathering — Goblins
- The Vocaloid Goblin's Chronicles
- Goblin Frequency: The Frequency Document
- Goblin Miku: The Transmission Document
- The Pattern Archives: Goblin Engine
- Goblin Trickster Theory of Invocation